This course is a continuation of first semester Elementary Arabic, and builds on the speaking, listening, reading and writing skills in the standard means of communication in the Arab World. Evaluation is done by the more traditional testing methods (vocabulary tests, dictations, grammar and translation exercises). We anticipate that by the end of this course, students will range in proficiency from Novice High to Intermediate Low on the ACTFL scale.

This course is a continuation of first semester Elementary Arabic, and builds on the speaking, listening, reading and writing skills in the standard means of communication in the Arab World. Evaluation is done by the more traditional testing methods (vocabulary tests, dictations, grammar and translation exercises). We anticipate that by the end of this course, students will range in proficiency from Novice High to Intermediate Low on the ACTFL scale.

This is the beginners course in Modern Standard Arabic (MSA). It will introduce you to the speaking, listening, reading and writing skills in the standard means of communication in the Arab World. The course is proficiency-based, implying that all activities within the course are aimed at placing you, the learner, in the context of the native-speaking environment from the very beginning. Evaluation is done by the more traditional testing methods (vocabulary tests, dictations, grammar and translation exercises). We anticipate that by the end of this course, students will range in proficiency from Novice High to Intermediate Low on the ACTFL scale; in other words (using the terminology of the government's Foreign Service Institute), from 'incipient survival' to 'full' survival' in the native-speaking environment.

Black thought, culture, history, socio-economic conditions, and politics worldwide matter. How we tell the stories about the vastness of Black lives in our scholarship matter even more greatly. The course will focus on the craft of writing the dissertation in the interdisciplinary field of Africana Studies with a focus on producing innovative scholarship as emergent scholars. Targeting students who have advanced to doctoral candidacy, the primary intent is to learn from African diaspora scholars who write about writing as well as to admire the writers in our field who craft stories about Black lives that we want to read. We will devote some class time to discussing some prominent writers (Alice Walker, Ngugi Wa Thiongo, bell hooks, Claudia Tate, Binyavanga Wainaina) who have discussed their craft of writing to shine a light on Africa and the diaspora. However, the main aim of the course is to give advanced PhD students the time and physical space to write their dissertations in community with students. In this workshop style course, the focus will be on supporting students through the challenging task of completing dissertations in ways that illustrate their innovative and critical approaches to research and writing.
The course objectives include:
1. To provide advanced doctoral students with the consistent time and physical space to complete at least one chapter of their dissertations.
2. To introduce students to discussions about the craft of writing about Black lives in global contexts.
3. To teach students how to craft detailed outlines and writing plans for significant bodies of work such as a dissertation and a book.
4. To teach how to organize original research data and archival materials to write narratives that give significant attention to those materials.
5. To learn how to balance theoretical engagement with existing scholarship and offering new insights drawn from the dissertation research.
6. To provide students with the tools for processing substantive feedback on the writing and organizing critiques for revision of the dissertation, and how to turn the dissertation into articles and a book.
Prerequisite: Doctoral candidates in the Department of Africana Studies and students who have received the Certificate in Africana Studies who are actively writing the dissertation.

This course explores contemporary Black thought through a set of literary, visual, and theoretical texts. Our theoretical repertoire will include concepts like love, quiet, fabulation, and gaze to explore Black interiority in relation to political movements, aesthetic experimentation, gender and sexual identity, and African continental and diasporic practices. The course will draw on a range of genres (including films, photo portraits, personal essays, and criticism) and also take a comparative approach (including works from Africa, the Caribbean, and the United States). See the English Department's website at www.english.upenn.edu for a complete description of the current offerings.

This course examines critical issues, problems, and perspectives in multicultural education. Intended to focus on access to literacy and educational opportunity, the course will engage class members in discussions around a variety of topics in educational practice, research, and policy. Specifically, the course will (1) review theoretical frameworks in multicultural education, (2) analyze the issues of race, racism, and culture in historical and contemporary perspective, and (3) identify obstacles to participation in the educational process by diverse cultural and ethnic groups. Students will be required to complete field experiences and classroom activities that enable them to reflect on their own belief systems, practices, and educational experiences.

This course focuses on the historical and cultural relationship between Africans and their descendants abroad.

This course critically examines stereotype threat and impostor phenomenon as they relate to African Americans. Both stereotype threat and impostor phenomenon negatively affect African Americans. The apprehension experienced by African Americans that they might behave in a manner that confirms an existing negative cultural stereotype is stereotype threat, which usually results in reduced effectiveness in African Americans' performance. Stereotype threat is linked with impostor phenomenon. Impostor phenomenon is an internal experience of intellectual phoniness in authentically talented individuals, in which they doubt their accomplishments and fear being exposed as a fraud. While stereotype threat relies on broad generalization, the impostor phenomenon describes feelings of personal inadequacy, especially in high-achieving African Americans. This course will explore the evolving meanings connected to both stereotype threat and impostor phenomenon in relation to African Americans.

This course explores how poetry and poetics figure into the effort to theorize the African American subject in the 21st Century. Different instructors may emphasize difference aspects of the topic. Please see English.upenn.edu for a full list of course offerings.

This class delves into the multifaceted role of African and African diasporic material culture, particularly sacred artifacts and relics, which have been preserved and transformed across the Black Atlantic. Students will explore the profound relationship between the Transatlantic Slave Trade and material culture, examining how these objects reflect African contexts and have served as instruments of resistance against religious intolerance while affirming cultural continuity. The course integrates diverse historical sources, including written records, oral traditions, museum collections, and archaeological discoveries. Through detailed case studies of specific artifacts and their symbolic meanings, students will analyze their presence in textual and visual sources, museum collections and engage in critical discussions on approaches to heritage preservation, resistance movements, and cultural continuity within diasporic communities.
This interdisciplinary seminar aims to provide a comprehensive understanding of the significance of African material culture in the Black Atlantic, offering students a critical lens to evaluate its impact and legacy.