This course is a continuation of first semester Elementary Arabic, and builds on the speaking, listening, reading and writing skills in the standard means of communication in the Arab World. Evaluation is done by the more traditional testing methods (vocabulary tests, dictations, grammar and translation exercises). We anticipate that by the end of this course, students will range in proficiency from Novice High to Intermediate Low on the ACTFL scale.

This course is a continuation of first semester Elementary Arabic, and builds on the speaking, listening, reading and writing skills in the standard means of communication in the Arab World. Evaluation is done by the more traditional testing methods (vocabulary tests, dictations, grammar and translation exercises). We anticipate that by the end of this course, students will range in proficiency from Novice High to Intermediate Low on the ACTFL scale.

This course focuses on the historical and cultural relationship between Africans and their descendants abroad.

This course examines the nature and dynamics of the state and civil society in Africa and how these determine the career of democracy, democratization and democratic rule in the continent. It considers different accounts of the state in Africa (or the African state), civil society and democracy in elaborating an informed understanding of the political, economic and social processes in the continent. How does the nature of the state in Africa account for the nature of the civil society and vice versa? How can the career of democracy in the continent illuminate our understanding of the nature of state-society relations? How robust is the relationship between civil society and the state? How can we account for the relationships among civil society, the state and democratic institutions and processes? What are the local, regional, and global forces that nurture and/or hinder democratic practices, including electoral democracy? These questions are confronted in light of their implications for, and complex interactions with, different social formations, institutions, groups, and social practices including gender, ethnicity, nationalism, race, religion, social protest, political institutions, economic formations, etc., etc.

This course explores the evolution of representations of the Black femme body in French and francophone imaginaries, tracing a chronological arc that begins with early colonial imagery and ends with the rise of a 2018 movement spearheaded by a collective of Black comediennes, denouncing exclusionary practices in the French entertainment industry. We will first focus on the male gaze — European, Caribbean and African — and the way it constructed the Black femme body, to better understand how Black female authors undermine, resist, parody, or continue to bear the weight of these early images when they take control of their own representation. While our primary readings will be authored by French-writing women, including Mayotte Capecia (Martinique), Marie Vieux-Chauvet (Haiti), Maryse Condé (Guadeloupe), Mariama Bâ (Senegal) and Marie Ndiaye (France), our theoretical foundation will include anglophone thinkers, such as bell hooks, Audre Lorde, Saidiya Hartman, and others. Readings and discussions will be in English.

This new course will explore multiple dimensions of Africa’s environmental history, drawing upon literature in the natural sciences, social sciences, and the humanities. It is one component of a pilot project supported by Penn Global and directed by the instructor on ‘Local Histories of Climate Change in the Horn of Africa”, though we will cover topics and case studies from the entire continent. The course takes an historical perspective on environmental change in Africa, with an eye to engaging current debates on climate change and its impact on contemporary urban and rural communities. Students will read and discuss key works on the African environment, conduct their own literature reviews on selected topics, and prepare case studies of communities which have been impacted by severe climate events in the past half-century. The format combines lectures and seminar-style discussions, and we will draw upon the expertise of guest lecturers in a variety of disciplines which have contributed to the study of environmental change.

Part II of the Luganda language course

This course examines the Theatre and Performance practices of the Black Arts Movement from the mid-1960s to mid-1970s.The Black Arts Movement (BAM) emerges in New York, New Jersey, Chicago, Los Angeles, San Francisco, and Philadelphia among other locations, as a cultural component of the Black Power Movement, and its legacy continues to this day. BAM artists, poets, playwrights, musicians, dancers, producers, directors, and teachers, shared a goal to develop an alternative theatre based in Africanist and Black aesthetics combining poetry, music, and dance in a non-linear fashion allowing stories to emerge through alternative and abstract structures that are activist in nature. We will ground our examination of the period in a growing global black consciousness, as well as the relationship between black aesthetics and self-determination. The course will explore a breadth of mid twentieth century Black experimental theatre ranging from Jean Genet’s The Blacks and Imamu Amiri Baraka’s Black Arts Repertory Theater and School, to Ntozake Shange’s Choreopoems, and the performance poetry Jayne Cortez. The course culminates in the work of present-day performance artists that have taken up and evolved the form.
The course is designed to incorporate theory and practice through play and poetry readings, movement investigations, student presentations of Theatre/Performance Artists, and viewing performances either virtually or in person. Students will develop either a choreopoem of their own or curate an imagined Black Arts Movement theatre festival or season.

This class covers the history of Pan-Africanism from its early inception in the nineteenth century to the present. Pan-Africanism has sparked political struggles and provided a powerful catalyst to artistic endeavors across the globe. The class focuses on the early critiques of the transatlantic slave trade, tracing the development of a unifying sociopolitical movement and the struggle for identity among Africans and African descendants in the diaspora. C. L. R. James posits that people of African descent, no matter where they might live, are linked through ancestral ties to Africa and as victims of structural and historical racism in the West. The class will not only engage with the classics of Pan-Africanism but also explore the movement’s influence through the arts (music, movies, and literature) and politics. To stress Pan-Africanism’s global ramifications, the class pays significant attention to the movement’s impact on Africa and Latin America.

This seminar invites students to do original research into the stories of Black refugees – including escaped, kidnapped, sojourning, and other temporary or permanent residents of Pennsylvania. Their stories unfolded through contentious freedom suits, daring escapes on the Underground Railroad, newspaper wars, gun fights and thuggery, treason cases, and more. We have assembled an archive of statutes, legal cases, testimony, judicial and administrative decisions, newspaper stories, images, memoirs, maps, and more to help students get started with their research. In addition, students will have opportunities to pursue additional research at the Historical Society of Pennsylvania, a co-sponsor of this course. Many of these materials have never been the subject of sustained study or placed in their historical context. Students will choose their topics in consultation with the professors and will produce research reports in written or digital or cinematic formats.
Students are expected to contribute to the course website, a platform that will be available to the public as well as to the Penn community, and we aim to provide new information and venues for research. The course therefore will involve considerations of how best to convey what we learn, as well as explorations of historical methods and collaborating archives.